The failure of Solo: A Star Wars Story adds considerable weight to my argument that consumers of popular media crave original stories about original characters with original plots expressed in tight arcs. Sticking someone else in Harrison Ford’s clothes, in Harrison Ford’s ship, and with Harrison Ford’s Wookie simply doesn’t cut it. Originality counts.
The same lack of originality is what condemned Feig’s Ghostbusters reboot to a mediocre box office haul. Ditto Marvel’s efforts to wow fans by breaking lore in order to put new faces in old costumes–it simply didn’t work because it was a cheap gimmick that lacked vision.
Again, originality counts.
So if you’ve listened carefully to science fiction movie trailers over the past 30 or so years, there’s a sound effect that’s used–a grand, sweeping, heavy bass orchestral hit that I can only express in writing as “BWAAA.” It’s grossly overused in SF movie trailers.
Continue reading “An Observation about Advertising”
Few films have ever moved me to tears, but this is one of them. (CONTAINS SPOILERS)
Continue reading “A Dark Song”
As Stephen King’s IT continues to break records, another horror film rises to the #1 slot this weekend.
Continue reading “The Hour of Fear”
In a recent post, I took Marvel Comics’ David Gabriel to task for his feckless assertion that his readers were misogynists and racists. The success of DC’s Wonder Woman proves my point.
Continue reading “How Wonder Woman Proved a Point to Marvel”